Part of the studio's work is dedicated to the expression of ceramic materials. The complexity of minerals undergoing the stress of heat and lack of oxygen transforms clay and glazes into a realm of limitless appearances. It is dazing to consider the vast compositions made possible by clay's plasticity, as we create an everlasting language of forms.

Whether it is a tall pouring vessel, a clay sculpture, or a figurative expression, I intend to shed light on the materials' story, such as the ash in the glaze, the reduced atmosphere in the kiln, the heavy iron oxide in the clay. These... Read More

Part of the studio's work is dedicated to the expression of ceramic materials. The complexity of minerals undergoing the stress of heat and lack of oxygen transforms clay and glazes into a realm of limitless appearances. It is dazing to consider the vast compositions made possible by clay's plasticity, as we create an everlasting language of forms.

Whether it is a tall pouring vessel, a clay sculpture, or a figurative expression, I intend to shed light on the materials' story, such as the ash in the glaze, the reduced atmosphere in the kiln, the heavy iron oxide in the clay. These are examples of significant causes that impact the object, and I believe that we ought to explore these processes to enrich and educate the ceramic language.